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	<title>Natalie Diffloth</title>
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	<description>Strategy, Design, Photography, Multimedia</description>
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		<title>design</title>
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		<comments>http://diffloth.com/topics/design/#comments</comments>
		<pubDate>Sun, 06 Jul 2008 20:49:41 +0000</pubDate>
		<dc:creator>natalie</dc:creator>
				<category><![CDATA[design]]></category>
		<category><![CDATA[intro]]></category>

		<guid isPermaLink="false">http://diffloth.com/?p=123</guid>
		<description><![CDATA[The most effective design solutions are those that inspire, that open doors, and that themselves create a range of new opportunities.]]></description>
			<content:encoded><![CDATA[<p>The most effective design solutions are those that inspire, that open doors, and that themselves create a range of new opportunities. </p>
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		<title>multimedia</title>
		<link>http://diffloth.com/topics/multimedia/</link>
		<comments>http://diffloth.com/topics/multimedia/#comments</comments>
		<pubDate>Sun, 06 Jul 2008 11:16:43 +0000</pubDate>
		<dc:creator>natalie</dc:creator>
				<category><![CDATA[multimedia]]></category>
		<category><![CDATA[intro]]></category>

		<guid isPermaLink="false">http://diffloth.com/?p=129</guid>
		<description><![CDATA[Telling stories through texture, color, typography, and sense of place.]]></description>
			<content:encoded><![CDATA[<p>Telling stories through texture, color, typography, and sense of place.</p>
]]></content:encoded>
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		<item>
		<title>water bottles</title>
		<link>http://diffloth.com/topics/water-bottles/</link>
		<comments>http://diffloth.com/topics/water-bottles/#comments</comments>
		<pubDate>Wed, 14 Dec 2011 13:04:33 +0000</pubDate>
		<dc:creator>natalie</dc:creator>
				<category><![CDATA[transcultural]]></category>

		<guid isPermaLink="false">http://diffloth.com/?p=883</guid>
		<description><![CDATA[A personal collection of water bottle labels found and gathered in Cambodia, as well as a few from Vietnam (displayed at the end). &#160; &#160; Samples of contexts in which these water bottles are sold in Siem Reap, Cambodia: in an upscale, tourist-oriented supermarket as well as on the street, in both touristy and non-tourist-specific [...]]]></description>
			<content:encoded><![CDATA[<p>A personal collection of water bottle labels found and gathered in Cambodia, as well as a few from Vietnam (displayed at the end).</p>
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		<p>NATALIE DIFFLOTH: STRATEGY, DESIGN, PHOTOGRAPHY, MULTIMEDIA</p>
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<p>Samples of contexts in which these water bottles are sold in Siem Reap, Cambodia: in an upscale, tourist-oriented supermarket as well as on the street, in both touristy and non-tourist-specific areas.</p>
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		</item>
		<item>
		<title>loud / quiet / rantepao</title>
		<link>http://diffloth.com/topics/loud-quiet-rantepao/</link>
		<comments>http://diffloth.com/topics/loud-quiet-rantepao/#comments</comments>
		<pubDate>Wed, 26 Oct 2011 07:29:19 +0000</pubDate>
		<dc:creator>natalie</dc:creator>
				<category><![CDATA[transcultural]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://diffloth.com/?p=888</guid>
		<description><![CDATA[A day in the life in the town of Rantepao, located in the Tana Toraja region of Sulawesi, Indonesia. August 2011.]]></description>
			<content:encoded><![CDATA[<p>A day in the life in the town of Rantepao, located in the Tana Toraja region of Sulawesi, Indonesia. August 2011.</p>
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		</item>
		<item>
		<title>for just one euro</title>
		<link>http://diffloth.com/topics/for-just-one-euro/</link>
		<comments>http://diffloth.com/topics/for-just-one-euro/#comments</comments>
		<pubDate>Wed, 19 Oct 2011 19:51:45 +0000</pubDate>
		<dc:creator>natalie</dc:creator>
				<category><![CDATA[transcultural]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://diffloth.com/?p=760</guid>
		<description><![CDATA[On September 24 and 25, 2011, Pope Benedict XVI came to the city of Freiburg, Germany, population 220,000. That weekend, over 100,000 pilgrims arrived to pay him a visit. Total costs to the city and its citizens, both Catholic and non-Catholic, topped 25+ million euros, with the city of Freiburg donating 11 million from its [...]]]></description>
			<content:encoded><![CDATA[<p>On September 24 and 25, 2011, Pope Benedict XVI came to the city of Freiburg, Germany, population 220,000. That weekend, over 100,000 pilgrims arrived to pay him a visit. Total costs to the city and its citizens, both Catholic and non-Catholic, topped <a href="http://www.badische-zeitung.de/freiburg/papstbesuch-kostet-erzbistum-11-millionen-euro--47335159.html" target="_blank">25+ million euros</a>, with the city of Freiburg donating 11 million from its budget and the Catholic church contributing an additional 14+ million. The video below, filmed on September 24th near Freiburg&#8217;s Rathaus (City Hall), focuses its attention away from the direct path of the Pope, toward his visitors, to explore symbols valued, vested meanings and commodification of religious icons. In particular, it chronicles the efforts of a local kindergarten to raise funds by offering pilgrims the chance to have their photos taken beside a life-sized, color cardboard image of the Pope.</p>
<p><iframe src="http://player.vimeo.com/video/31026762?title=0&amp;byline=0&amp;portrait=0" width="640" height="360" frameborder="0" webkitAllowFullScreen allowFullScreen></iframe></p>
]]></content:encoded>
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		<item>
		<title>your portrait on a communion wafer</title>
		<link>http://diffloth.com/topics/wafer-english/</link>
		<comments>http://diffloth.com/topics/wafer-english/#comments</comments>
		<pubDate>Wed, 12 Oct 2011 09:28:07 +0000</pubDate>
		<dc:creator>natalie</dc:creator>
				<category><![CDATA[uncategorized]]></category>

		<guid isPermaLink="false">http://diffloth.com/?p=810</guid>
		<description><![CDATA[Video transcript displayed in English below… In September 2011, in honor of Pope Benedict XVI&#8217;s visit to Freiburg, Germany, political artist Jan Sosein Carl seized the opportunity to add his own distinctive voice to the public discourse, creatively challenging the day&#8217;s visitors to think more critically about separation of church and state. Also known as [...]]]></description>
			<content:encoded><![CDATA[<p><span class="robots-nocontent"><br />
<em>Video transcript displayed in English below…</em></p>
<p>In September 2011, in honor of Pope Benedict XVI&#8217;s visit to Freiburg, Germany, political artist Jan Sosein Carl seized the opportunity to add his own distinctive voice to the public discourse, creatively challenging the day&#8217;s visitors to think more critically about separation of church and state. Also known as the <a href="http://bundeskuenstler.de" target="_blank">Bundeskünstler</a>, (a pun on the German word &#8220;Bundeskanzler&#8221;, or &#8220;federal chancellor&#8221;), Jan Sosein Carl located a spot on Freiburg&#8217;s City Hall plaza, then sat on the ground with a simple sign and a few pens. To those who passed by, he offered to sketch small, line-drawn caricatures onto common baking wafers — ones that most, at a quick glance, might identify as communion wafers. However, his particular wafers were clearly store-bought (as evidenced by their packaging) and had not been blessed by a priest, a fact which formally precluded their possession of religious significance, at least in the official sense. As onlookers curiously inquired and made requests for the free drawings, the artist engaged them in conversation, both serious and humorous, and subtly encouraged a challenging of cultural and political norms. In this way, the artist&#8217;s performance highlighted the tensions involved in distinguishing sacred object from common artifact — tacitly questioning the legitimacy of what may be considered &#8220;reverent&#8221; versus &#8220;irreverent&#8221;. This video follows the artist and his performance on that day, September 24, 2011, and attempts to capture the flavor of this cultural moment.</p>
<p><iframe src="http://player.vimeo.com/video/31216158?title=0&amp;byline=0&amp;portrait=0" width="640" height="360" frameborder="0" webkitAllowFullScreen allowFullScreen></iframe></p>
<p><strong>Transcript:</strong></p>
<p>00:33 — <strong>Jan Sosein Carl:</strong> Hello. <strong>Woman:</strong> Could I have one? <strong>JSC:</strong> Of course. Big, small, medium — what is your preference? <strong>Woman:</strong> <em>(speaking off to the side)</em> A small one. <strong>JSC:</strong> <em>(repeats)</em> A small one. A quite small one. <strong>JSC:</strong> Would you like a portrait of yourself? I could also draw the Pope. <strong>Woman:</strong> The Pope. <strong>JSC:</strong> Good, then we’ll do the Pope. <strong>JSC:</strong> Very fine. I’m going to draw the Pope with a shopping bag.</p>
<p>01:15 — <strong>JSC:</strong> By the way, just so we don’t misunderstand each other, the term “host” on this sign here <em>(pointing toward the ground)</em> is intended as a parody. I would never ever draw on sacred pieces of bread.</p>
<p>01:32 — <strong>JSC:</strong> <em>(handing woman his artist card)</em> So you know from whom this comes… <strong>Woman:</strong> Thank you. <strong>JSC:</strong> My name is Jan. I am the Bundeskünstler of this republic. <em>(<strong>Ed. note:</strong> “Bundeskünstler” is an invented term, which translated literally means “federal artist”; however, the artist&#8217;s adoption of it is also a satiric pun on the word “Bundeskanzler”, or “Federal Chancellor”, a position currently held by Chancellor Angela Merkel.)</em></p>
<p>01:45 — <strong>Another woman:</strong> <em>(voice in background, reading aloud the sign on the ground)</em> “Your portrait on a communion wafer.” <strong>JSC:</strong> <em>(speaking to the woman)</em> Would you perhaps also like to have a portrait from me? <strong>Woman:</strong> What does it cost? <strong>JSC:</strong> <em>(Hesitating)</em> Well now you are falling into capitalistic thinking. <strong>Woman:</strong> Oh? <strong>JSC:</strong> I am doing this as a generous Christian.</p>
<p>02:09 — <strong>JSC:</strong> (greeting a group of boys) So, guys…! <strong>One of the boys:</strong> Why do you draw on your knee like that? <strong>JSC:</strong> Because my knee is equipped with a very concentrated intellect. <strong>Boy:</strong> <em>(skeptical)</em> Okay… <strong>JSC:</strong> <em>(laughing)</em> No, it’s just very comfortable! That’s all. But I could tell you some really good stories! <strong>Group of boys:</strong> <em>(laughing)</em> <strong>One of the boys:</strong> Could you maybe draw an altar boy? <strong>JSC:</strong> Well, now you have to help me… What do altar boys look like?  <strong>One of the boys:</strong> Umm, well, like us, but they wear a skirt. <em>(laughing)</em> <strong>Another of the boys:</strong> They are of different heights, and… <strong>JSC:</strong> Yes, of course, but that’s the same with all people. There are short altar boys and tall altar boys. <strong>Another of the boys:</strong> <em>(while watching the drawing of an altar boy)</em> Since when do altar boys have hair? <strong>JSC:</strong> Altar boys have hair. Of course altar boys have hair! </p>
<p>03:10 — <strong>JSC:</strong> Is it permitted to draw an altar boy with a halo? <strong>Majority of boys respond:</strong> No, no. <strong>One of the boys:</strong> Yes. <em>(group laughing)</em></p>
<p>03:20 — <strong>Another of the boys:</strong> Oh, and then they wear one of those belt things. <strong>JSC:</strong> Oh yeah, sometimes altar boys have a belt. <strong>One of the boys:</strong> Exactly, a type of belt. <strong>JSC:</strong> And what about a tiara? <strong>One of the boys:</strong> No idea… <strong>One of the boys:</strong> May one request a special design? <strong>JSC:</strong> Yes, of course. <strong>Another of the boys:</strong> And then you have to do another one after that. <em>(laughing)</em></p>
<p>03:40 — <strong>Adult speaking in the background:</strong> What led you to do something like this? <strong>JSC:</strong> I am an artist.</p>
<p>03:45 — <strong>The adult supervisor of the altar boys arrives running, and speaks in a sharp tone:</strong> So, all of you, come back here. We are leaving — right now. <strong>One of the boys:</strong> <em>(reaching out to request the drawing be given to him)</em> Okay. <strong>JSC:</strong> <em>(objecting)</em> But I’m not done… <strong>Adult supervisor:</strong> Yeah, well, unfortunately, we need to move on. Very unfortunately.</p>
<p>03:58 — <strong>JSC:</strong> <em>(speaking to the boy who is waiting for his drawing)</em> You can’t just allow yourself get rushed like that, huh? <strong>Boy:</strong> Okay. <strong>JSC:</strong> <em>(handing the boy the finished drawing)</em> There you go! <strong>Boy:</strong> Thank you. <strong>JSC:</strong> Bye!<br />
</span></p>
]]></content:encoded>
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		</item>
		<item>
		<title>your portrait on a communion wafer</title>
		<link>http://diffloth.com/topics/wafer/</link>
		<comments>http://diffloth.com/topics/wafer/#comments</comments>
		<pubDate>Wed, 12 Oct 2011 09:28:00 +0000</pubDate>
		<dc:creator>natalie</dc:creator>
				<category><![CDATA[transcultural]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://diffloth.com/?p=798</guid>
		<description><![CDATA[In September 2011, in honor of Pope Benedict XVI&#8217;s visit to Freiburg, Germany, political artist Jan Sosein Carl seized the opportunity to add his own distinctive voice to the public discourse, creatively challenging the day&#8217;s visitors to think more critically about separation of church and state. Also known as the Bundeskünstler, (a pun on the [...]]]></description>
			<content:encoded><![CDATA[<p>In September 2011, in honor of Pope Benedict XVI&#8217;s visit to Freiburg, Germany, political artist Jan Sosein Carl seized the opportunity to add his own distinctive voice to the public discourse, creatively challenging the day&#8217;s visitors to think more critically about separation of church and state. Also known as the <a href="http://bundeskuenstler.de" target="_blank">Bundeskünstler</a>, (a pun on the German word &#8220;Bundeskanzler&#8221;, or &#8220;federal chancellor&#8221;), Jan Sosein Carl located a spot on Freiburg&#8217;s City Hall plaza, then sat on the ground with a simple sign and a few pens. To those who passed by, he offered to sketch small, line-drawn caricatures onto common baking wafers — ones that most, at a quick glance, might identify as communion wafers. However, his particular wafers were clearly store-bought (as evidenced by their packaging) and had not been blessed by a priest, a fact which formally precluded their possession of religious significance, at least in the official sense. As onlookers curiously inquired and made requests for the free drawings, the artist engaged them in conversation, both serious and humorous, and subtly encouraged a challenging of cultural and political norms. In this way, the artist&#8217;s performance highlighted the tensions involved in distinguishing sacred object from common artifact — tacitly questioning the legitimacy of what may be considered &#8220;reverent&#8221; versus &#8220;irreverent&#8221;. This video follows the artist and his performance on that day, September 24, 2011, and attempts to capture the flavor of this cultural moment.</p>
<p><em><a href="http://diffloth.com/topics/wafer-english/" rel="nofollow">View video with transcription  of conversation into English</a></em></p>
<p><iframe src="http://player.vimeo.com/video/31216158?title=0&amp;byline=0&amp;portrait=0" width="640" height="360" frameborder="0" webkitAllowFullScreen allowFullScreen></iframe></p>
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		</item>
		<item>
		<title>workshop on social media strategies for promoting public health</title>
		<link>http://diffloth.com/topics/social-media-and-public-health/</link>
		<comments>http://diffloth.com/topics/social-media-and-public-health/#comments</comments>
		<pubDate>Sun, 14 Aug 2011 17:26:49 +0000</pubDate>
		<dc:creator>natalie</dc:creator>
				<category><![CDATA[web design]]></category>

		<guid isPermaLink="false">http://diffloth.com/?p=739</guid>
		<description><![CDATA[Presentation and hands-on workshop: &#8220;Strategies for Using Social Media to Disseminate Public Health Information&#8221;. Project conducted as part of the Indonesian-German Health Education Partnership&#8217;s forum on Mother and Child Health. Makassar, Sulawesi, Indonesia, July 2011. Details at ighep.com.]]></description>
			<content:encoded><![CDATA[<p>Presentation and hands-on workshop: &#8220;Strategies for Using Social Media to Disseminate Public Health Information&#8221;. Project conducted as part of the Indonesian-German Health Education Partnership&#8217;s forum on Mother and Child Health. Makassar, Sulawesi, Indonesia, July 2011. Details at <a href="http://ighep.wordpress.com/" target="_blank">ighep.com</a>.</p>
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<p><img src="http://diffloth.com/wp-content/uploads/portfolio/ighep/makassar1.jpg" class="fit" /></p>
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<td width="20px" class="gutter"><img src="http://diffloth.com/wp-content/uploads/global/spacer.gif" alt="Space" width="20" height="1" /></td>
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<p><img src="http://diffloth.com/wp-content/uploads/portfolio/ighep/makassar2.jpg" class="fit" /></p>
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		<title>community supported film website</title>
		<link>http://diffloth.com/topics/community-supported-film-website/</link>
		<comments>http://diffloth.com/topics/community-supported-film-website/#comments</comments>
		<pubDate>Tue, 03 May 2011 13:38:54 +0000</pubDate>
		<dc:creator>natalie</dc:creator>
				<category><![CDATA[web design]]></category>

		<guid isPermaLink="false">http://diffloth.com/?p=723</guid>
		<description><![CDATA[Redesign of website, including design concept and execution. Online at csfilm.org]]></description>
			<content:encoded><![CDATA[<p>Redesign of website, including design concept and execution. Online at <a href="http://csfilm.org" target="_blank">csfilm.org</a></p>
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<p><a href="http://csfilm.org" target="_blank"><img src="http://diffloth.com/wp-content/uploads/portfolio/csfilm/csfilm1.jpg" class="fit" /></a></p>
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<p><a href="http://csfilm.org" target="_blank"><img src="http://diffloth.com/wp-content/uploads/portfolio/csfilm/csfilm2.jpg" class="fit" /></a></p>
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<td width="20px" class="gutter"><img src="http://diffloth.com/wp-content/uploads/global/spacer.gif" alt="Space" width="20" height="1" /></td>
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<p><a href="http://csfilm.org" target="_blank"><img src="http://diffloth.com/wp-content/uploads/portfolio/csfilm/csfilm3.jpg" class="fit" /></a></p>
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		<title>pediatric rheumatology website</title>
		<link>http://diffloth.com/topics/agprs-website/</link>
		<comments>http://diffloth.com/topics/agprs-website/#comments</comments>
		<pubDate>Sat, 26 Mar 2011 17:47:33 +0000</pubDate>
		<dc:creator>natalie</dc:creator>
				<category><![CDATA[web design]]></category>

		<guid isPermaLink="false">http://diffloth.com/?p=702</guid>
		<description><![CDATA[Website design and concept for the Working Group for Pediatric Rheumatology, South Baden, Germany. Online at kinder-rheuma.org]]></description>
			<content:encoded><![CDATA[<p>Website design and concept for the Working Group for Pediatric Rheumatology, South Baden, Germany. Online at <a href="http://kinder-rheuma.org" target="_blank">kinder-rheuma.org</a></p>
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<p><img src="http://diffloth.com/wp-content/uploads/portfolio/agprs/agprs1.png" class="fit" /></p>
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<td width="20px" class="gutter"><img src="http://diffloth.com/wp-content/uploads/global/spacer.gif" alt="Space" width="20" height="1" /></td>
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<p><img src="http://diffloth.com/wp-content/uploads/portfolio/agprs/agprs2.png" class="fit" /></p>
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<td width="20px" class="gutter"><img src="http://diffloth.com/wp-content/uploads/global/spacer.gif" alt="Space" width="20" height="1" /></td>
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